Album Review: Aya Nakamura, ‘DNK’
Aya Nakamura tediously explores love and sex on her Zouk-inflected fourth studio album DNK.
Album Review: Fall Out Boy, ‘So Much (For) Stardust’
Fall Out Boy achieve an admirable return to form with the cinematic So Much (for) Stardust.
Album Review: Labrinth, ‘Ends & Begins’
Labrinth's third studio album features appearances from Zendaya, Billie Eilish, and FINNEAS, and further expands the Brit's freewheeling sonic palette.
Album Review: Chlöe, ‘In Pieces’
Between the generic songwriting and confusing sequencing, Chlöe’s debut album is a bit of a mess. Nonetheless, her promise is undeniable.
Album Review: Paramore, ‘This Is Why’
Paramore delivers yet another fantastic record, this time with musings on the constant trauma of modern living and grittier update to their previous new wave flirtations.
Album Review: SZA, ‘SOS’
SZA does the impossible and delivers another remarkable album with ‘SOS.’
EP Review: Reneé Rapp, ‘Everything to Everyone’
Reneé Rapp introduces herself to the world with Everything to Everyone.
EP Review: GloRilla, ‘Anyways, Life’s Great…’
With her debut EP, GloRilla proves that she’s more than a flash in the pan.
Album Review: Coco Jones, ‘What I Didn’t Tell You’
Coco Jones comes into her own on ‘What I Didn’t Tell You’
Album Review: Taylor Swift, ‘Midnights’
Taylor eschews the novel-esque songwriting bent of her last two albums in favor of something more akin to a short story collection.
Album Review: Tove Lo, ‘Dirt Femme’
Tove Lo’s ‘Dirt Femme’ deserves to properly penetrate and dominate pop’s mainstream.
Album Review: Arctic Monkeys, ‘The Car’
Meticulous arrangements and gorgeous pacing offset some of Alex Turner’s most aggravatingly indecipherable songwriting
Album Review: Rina Sawayama, ‘Hold the Girl’
Dull and stagnant production flattens the potential of Rina’s transcendent songwriting on her sophomore studio album.
Album Review: Willow, ‘Coping Mechanism’
Willow’s most focused and cohesive body of work to date.
Album Review: Charlie Puth, ‘CHARLIE’
‘Charlie’ is neither a blemish on Charlie Puth’s discography, nor is it a crown jewel. It’s just there.
Album Review: BLACKPINK, ‘Born Pink’
An unsavory combination of stale production and vapid lyrics render Born Pink completely devoid of the personality that carried previous BLACKPINK projects.
Album Review: Ari Lennox, ‘age/sex/location’
Ari Lennox’s ‘age/sex/location’ marks new levels of maturity and intimacy for the Queen of Dreamville.
Album Review: Megan Thee Stallion, ‘Traumazine’
‘Traumazine,’ Megan Thee Stallion’s second studio album, attempts to blend therapy-rap with middling attempts at pop crossover anthems.