It’s only fitting that Beyoncé’s first solo studio album in six years is both a literal rebirth of her past records and an utterly fearless expansion of her core sound.

Lizzo's latest album may not be as strong as 'Cuz I Love You,' but it's still pop music at its most saccharine and pure-hearted.

A faceless collection of songs that reveals a stark disconnect between Sabrina's vision and execution.

Flo Milli's debut album may not be as consistent as its preceding mixtape, but the Mobile rapper succeeds in solidifying her position in today's rap landscape.

Steve Lacy flaunts his honeyed falsetto and carnal lyricism on one of the year's best albums.

An immersive body of work that unequivocally rejects the sophomore slump.

Burna Boy secures himself another triumph with his inimitable charisma and valiant attempts at opening up.

With their pristine harmonies and effortless charisma, FLO is looking to revive the pop/R&B girl group on both sides of the pond.

Giveon's debut attempts to add nuance to the “toxic lover” trope he previously embodied, but lethargic pacing and drowsy melodies undermine those efforts.

A cohesive effort that features fewer standouts than its predecessor, but showcases a tighter and clearer thematic focus.

Equal parts refreshing and frustrating, but Drake strikes gold enough times to justify the album's existence.

Posty's gloomy new album works best when he's not making half-baked attempts at recreating the glittery pop-rap of his commercial peak

A joyous record that clobbers you over the head with slow-burning grief to maximize the arrival of euphoria.

If the goal was to create a dull, easily digestible, and unambitious project, then ‘B.I.B.L.E.’ is a resounding success.

At just under an hour, 'Candydrip' drifts through a carefully manicured sonic universe that sometimes veers into monotony.

The dense pressure of Harry wanting to prove himself burdened his first two albums, but he sounds noticeably freer and more at ease on ‘Harry’s House.’